The epiphany can take any form of apparition, but my preference goes to the ghostly. One that is transparent — representing the need for transparent language, while equally alluding to the uncanny and the erotic of the veil.
I read the image of the apparition. I write the image of the apparition. And in those acts, I desperately gather a register of images and language — a register that functions as a tool to question things I cannot seem to grasp or answer. That register, and the media that carry it, are often limited. So I scour different carriers and reflect on their readability: the book yields an easily spread potency; a painting can be seen from different angles; a film defines the speed of reading in an authoritarian manner.
Any given moment now will be defined by an insight — through some text I will find, through some scroll on my phone, through some talk I will have.
Mail me, join me on my quest.
A timeline of work
Publications (made as artist book, hand-bound):
› Things that really hurt (release date: Fall 2026)
› Annotated together with Margot Degrave Loyson (2026)
› I crave the time where I had an Attention Span (2024)
› [New Game] (2023)
› An Octopus’ Inability to Relax (2022)
› Jojo’s Ontological Misventure (2022)
› How I Try Not to Lose my Head: an encyclopedia on helmets and forgetfulness (2021)
› Stil Staan – een pleidooi tot passiviteit (2021)
› Jovian Storms – What if Jupiter was Bipolar (2021)
› Pondering in Latex – existentialism in kinky dungeons (2021)
› Pokémon: absurdist version (2021)
Writings (published):
› Monsters I'd love to fuck, published by Ant Mag (Summer 2026)
› Contribution in Ninety-Nine Graphic Design Workshops The way we attend to things, James Dyer, Nick Deakin (eds)
› On the consumption of the gaze, in SUCKMYDICK magazine published by KIOSK (2025)
› Round table conversation on ethical publishing, published #18 by Flemish Review De La Poëzie (november 2025)
› Poster zine published by Ant Mag (2024)
› Longing for Lo-fi published by Onomatopee (2023)
› The Rabbit Hole: een verticale ontheemding in Lines Of Flight, KIOSK zine (2022)
Collaborations and support in artist books (through copyshop— as experimental publishing practice):
› Zombies in Paris, artist book with Louis Hilson and myself (2026)
› E-girls, artist book with essays by Margot De Grave Loyson, Hanna De Grave Loyson, Marijke De Roover, Dominique De Groen and myself (2025)
› To: The Gardener, artist book with Marijke De Roover (2025)
› Echo, artist book with Laurie Jespers (2025)
› Memeories, artist book with Dominique De Groen
and myself (2025)
› Life could be very long, artist book with Jacob Lambrecht (2024)
› Pink Nostalgia, artist book with Lotte Dufour (2024)
Exhibitions/screenings/performances:
› Groupshow Now!Belgium!Now! at LLS Paleis Antwerp (September 2026)
› Groupshow Social Stomach in Brussels (2026)
› Groupshow Zombies in Paris (2026)
› Groupshow Blockparty by Louis Hilson, shown in Ghent, Kreuzberg Pavilion Berlin and Forbidden City Antwerp (2026)
› Lecture Performance On Publishing at KASK Ghent (2026)
› Groupshow Jagers & Verzamelaars at Terms & Conditions, Brussel (2025)
› Groupshow The T-Shirt Project at LOCHNESS, Gent (2024)
› Groupshow A Clown Museum at De Tank (het Entrepot), Brugge (2024)
› Reading the Room, a round-the-table conversation in KIOSK Gent (2024)
› Screening at De Warande (Turnhout). Accompanied with an 8h video installation (2023)
› Video installation Pokémon: Absurdist version (6h version), screened by Curating the Young at ENSEMBLE (Ghent) (2023)
› Screening of I guess at some point, you arrive somewhere at OBSKUUR Ghent, obtaining the Tarkovsky Grant (2023)
› Groupshow at KOMPLOT Brussels, paired with a print-on-demand publishing performance (2022)
› Screening and video installation in a group exhibition at STIMULANS 22 in Kortrijk (2022)