![](https://freight.cargo.site/t/original/i/2c5c971005a8a556d36932a67c9470fdf26908a7d5c712e487bbe44073e9ee46/Disney_still_08.png)
![](https://freight.cargo.site/t/original/i/1cf52a74d955415966ffe4adefd4d37f9f5fcf7197c8bed60b0d552d16dec0ab/Disney_still_04.png)
![](https://freight.cargo.site/t/original/i/15b1f37d20856eb8f30ccc16ca3004805f3efd559ecee5c86e76dad1ab744fde/Disney_still_07.png)
![](https://freight.cargo.site/t/original/i/84a8d14f9b78150bc7615080eb509d7368b35dd424623c89c111bd6bd0498e0a/Disney_still_05.png)
![](https://freight.cargo.site/t/original/i/9088cc833f2a01b40908aae224f08e4ae78815dfe3265f10199dd5e55f58ce17/Disney_still_03.png)
![](https://freight.cargo.site/t/original/i/ca77163b93c4cca81af9379e6482b3ee43f85eeb197d27647c63b51a2a37f349/Disney_still_06.png)
I guess at some point, you arrive somewhere.
[10:39, 16mm shot on Kodak250D]
At a theme park, especially one like Disneyland, the visitor wanders/wonders through paths of illusory scenery.
As Baudrillard elaborates in his essays on the Hyper-real in Simulacra and Simulation, Disneyland ends up being a place of truth in a world veiled by semiotic layers and signifiers that cloud our experience of the real.
In an essayistic manner and approaching the idea of narration in film from a slightly different perspective, I dissected some thoughts that passed my mind. These thoughts are meant to be lived internally, so they are mute. There is no Voice of God-voice over enforcing these written words. They are just worked out scribbles that ended up in fragments, short chapters to be read. These are followed up by 16mm footage I shot in the park. The shots are edited in camera as they contrast the current-day technology and counter it with a reflective nostalgia. As the images appear, they attempt to achieve a truthful aspect of cinema. They attempt to become visual writings.
As Baudrillard elaborates in his essays on the Hyper-real in Simulacra and Simulation, Disneyland ends up being a place of truth in a world veiled by semiotic layers and signifiers that cloud our experience of the real.
In an essayistic manner and approaching the idea of narration in film from a slightly different perspective, I dissected some thoughts that passed my mind. These thoughts are meant to be lived internally, so they are mute. There is no Voice of God-voice over enforcing these written words. They are just worked out scribbles that ended up in fragments, short chapters to be read. These are followed up by 16mm footage I shot in the park. The shots are edited in camera as they contrast the current-day technology and counter it with a reflective nostalgia. As the images appear, they attempt to achieve a truthful aspect of cinema. They attempt to become visual writings.